The Fiberplex LightViper VIM-1832 8x32 Audio Distribution Tail is used in conjunction with the VRK-1832, VIS-4832, VIS-1832 to achieve a 32x8 fiber-optic transport system. Supplied with a pair of transmit/receive LC fiber connectors (different connector configuration options are available). It also contains a single fiber “thru” connector (transmit only). This is the tail end of for Stage to FOH or drive snake applications. The VIM-1832 features 8 audio inputs which are selectable between analog line level and AES3 digital. The 32 audio outputs of both units are both analog line level and AES3 digital and are simultaneously available. Audio is via DB25 connectors. The VIM-1832 is the clock master in the system. I has the ability to generate it's own superiour quality Word Clock, or alternately accept an external Word Clock. The system features a “control” connection which is a TTL data port which appears on an EtherCon connector. It allows LightViper accessory devices such as the DMX4o (DMX lighting control) or MD3 (RS422/232/MIDI) to be connected to the unit. 48k or 96k operation. Ideal for live sound, broadcast sports, churches, performing arts centers, theme parks, mobile (remtoe) recording, and more.

The Fiberplex LightViper VRK-1832 8x32 Audio Distribution Head (analog) is used in conjunction with the VIM-1832 or VIM-MY32 YGDAI cards to achieve a 32x8 fiber-optic transport system. Supplied with a pair of transmit/receive LC fiber connectors (different connector configuration options are available). Two optical splits come standard. These splits (transmit only) are presented on a single fiber each. This is the head end of for Stage to FOH or drive snake applications. The VRK-1832 contains 32 mic/line inputs (sends) and 8 analog line level outputs (returns). There is a 3 position gain switch for each input that sets the gain of the mic-pre. The normal settings for these switches are as follows: 0 = line level, 26 = mic level, 12 = high transient / very “hot” mic level.There are 4 +48v phantom power on/off switches with associated on/off LED indicators. Phantom power is applied in groups of 8 inputs. Connectors are 3-pin XLR type. The system features a “control” connection which is a TTL data port which appears on an EtherCon connector. It allows LightViper accessory devices such as the DMX4o (DMX lighting control) or MD3 (RS422/232/MIDI) to be connected to the unit. 48k or 96k operation. Ideal for live sound, broadcast sports, churches, performing arts centers, theme parks, mobile (remtoe) recording, and more.

The Studio Technologies StudioComm Model 71 Control Console is a compact command center for use with Model 76D, 76DA, 760-01, 760-02, 760-03, 780-01, 780-02, or 780-03 central controllers. Provides additional user locations with the most frequently desired functions: level adjustment, reference level, and dim. Up to three Model 71s can be connected to, and powered by, a central controller.

The Yamaha EMX-512SC is a professional power amplifier and mixer combination. The internal stereo amplifier delivers 500W of power per channel, suitable for working musicians and larger PA applications. The mixer section features a total of 12 line inputs with channels 1 through 4 equipped with mono 1/4" TRS phone inputs, while 5 through 12 are stereo paired for connecting keyboards, stereo playback devices, etc. Channels 1 through 8 also feature balanced XLR microphone inputs, capable of phantom power. The SPX effects engine (digital multi effect processor) provides an array of reverb, chorus and delay effects, eliminating the need for external effects processors. High, Mid and Low frequency adjustment dials are provided on every channel, and dual 7-band graphic EQ's are provided for stereo signal contouring on output. The useful Stand-By switch mutes all channels, and is intended for bypassing signal input in between sets. Speaker outputs are via Neutrik NL4 speakon and 1/4" phone jacks. Yamaha Speaker Processing (YSP) button provides internal signal processing tailored to match and enhance compatible Yamaha club-series speakers for smoother highs and deeper low-end response. These powerful features are all houses in a rugged roadworthy enclosure, designed to handle the rigors of heavy road usage.

The Zoom H4n 4-channel audio recorder features high quality features in a portable palm-sized unit. Inputs are XLR/TRS combo jacks with phantom power capbility. Also has onboard internal true X/Y stereo microphones, which can be rotated to 90 or 120 degrees. The preamps allow capture of linear PCM audio up to 24-bit/96kHz. Records onto SD / SDHC cards up to 32GB or USB 2.0 to transfer to Mac / Windows computer. A 3.5mm line / headphone output is provided and a reference speaker.This uses standard AA batteries (stamina mode provides up to 11 hours of recording). Other features include: variable playback speed, automatic / pre-record functions, low-cut filter, limiter, time stamping, metronome, tuner, backlit LCD, and intuitive controls.

The Zoom H4n 4-channel audio recorder features high quality features in a portable palm-sized unit. Inputs are XLR/TRS combo jacks with phantom power capbility. Also has onboard internal true X/Y stereo microphones, which can be rotated to 90 or 120 degrees. The preamps allow capture of linear PCM audio up to 24-bit/96kHz. Records onto SD / SDHC cards up to 32GB or USB 2.0 to transfer to Mac / Windows computer. A 3.5mm line / headphone output is provided and a reference speaker.This uses standard AA batteries (stamina mode provides up to 11 hours of recording). Other features include: variable playback speed, automatic / pre-record functions, low-cut filter, limiter, time stamping, metronome, tuner, backlit LCD, and intuitive controls.

The Audio Spotlight is a revolutionary directional audio technology that creates sound in a narrow beam, just like light. Aim the flat, thin focused sound speaker panel to your desired listening area, and provide all of the sound and none of the noise. The larger Audio Spotlight AS-24i with SoundBeam technology offers the strongest output and deepest low frequency response of all models. This parametric sound beaming device is designed for competing with noisier environments or areas requiring more coverage. The AS-24i is a great highly directional speaker for museums, trade shows, supermarkets, outdoor applications, and many retail environments, and it easily replaces standard 2'x2 (60cm)' ceiling tile with no additional hardware. Offers the strongest output and deepest low frequency response of all models. This target speaker system with sound beaming technology is designed for competing with noisier environments or areas requiring more coverage. Great for museums, trade shows, supermarkets, outdoor applications, and many retail environments. Built-in microSD player, and balanced and unbalanced audio inputs standard. Standard VESA100 mounting pattern.

The Behringer Eurolive F1320D is a active wedge-style PA speaker designed for live musicians, DJs, and presenters. Merges 300W of Class-D bi-amping power with a individual mic/line input and volume control wide frequency bandwidth, dynamic range, and exceptional portability relative to it's power. Durable design and fabric covering for reliable use. The 12" woofer provides punchy and deep bass while the high-resolution 1" tweeter gives high-frequency reproduction.The feedback filter, 3-band EQ, and limter are ideal for shaping the sound. The built-in preamp and XLR and 1/4" inputs allow versatility for any application. Can be mounted on standard speaker poles, atop subwoofers, laid to the side as monitor wedges, and more.These can be chained together via the available XLR and 1/4" link outputs. The internal switch-mode power supply provides noise-free audio, superior transient response, and very-low power consumption. Delivers professional results with massive quantities of low end, articulate and detailed mids, and crystal-clear highs.

The Genelec 8040A bi-amplified monitoring system is a near field active studio monitor speaker, featuring a wide frequency response and high SPL capability (peak of over 115db per pair). Compact design ideal for recording studios, broadcast installations, mastering suites, post-production houses, radio studios, and more. Has a 90W 6.5" woofer and 90W .75" metal dome tweeter. Frequency range of 48Hz-20kHz. The low level active crossover has versatile controls for matching to difficult acoustic environments. The MDE (Minimum Diffraction Enclosure) and reflex port aid in providing solid, clear frequencies with a minimum of compression, distortion and port noise artifacts. The gently curved sided and Directivity Control Waveguide (DCW) provide exceptionally smooth on and off axis frequency responses, precise imaging and optimal directivity across the whole audio spectrum. Mounting to desktop is easy with the included Iso-Pod (Isolation Positioner/Decoupler) which eliminates coloration of the sound by decoupling the monitor from its mounting surface. Can be tilted on the Iso-Pod to point the acoustic axis directly at the listening position. Other mounting options are possible using the integrated mounting point on the rear of the enclosure, or the M10 threaded hole on base. Input is over XLR and input sensitivity is adjustable on the rear.

The Genelec 8050A bi-amplified monitoring system is a near field active studio monitor speaker, featuring a wide frequency response and high SPL capability (peak of over 120db per pair). Ideal for large recording studios, broadcast installations, mastering suites, post-production houses, radio studios, and more. Has a 150W 8" woofer and 120W 1" metal dome tweeter. The low frequency response extends down to 35Hz. The low level active crossover has versatile controls for matching to difficult acoustic environments. The MDE (Minimum Diffraction Enclosure) and reflex port aid in providing solid, clear frequencies with a minimum of compression, distortion and port noise artifacts. The gently curved sided and Directivity Control Waveguide (DCW) provide exceptionally smooth on and off axis frequency responses, precise imaging and optimal directivity across the whole audio spectrum. Mounting to desktop is easy with the included Iso-Pod (Isolation Positioner/Decoupler) which eliminates coloration of the sound by decoupling the monitor from its mounting surface. Can be tilted on the Iso-Pod to point the acoustic axis directly at the listening position. Other mounting options are possible using the integrated mounting point on the rear of the enclosure, or the M10 threaded hole on base. Input is over XLR and input sensitivity is adjustable on the rear.

The Klipsch R-12SW is a 12" subwoofer. Features a copper-spun woofer and delivers up to 400W. Frequency response of 29-120Hz. Integrated low pass crossover and phase control settings allow you to optimize sound. LFE and line level inputs are onboard. Injection Molded Graphite (IMG) woofers are light while being rigid - providing notable low frequency response, with minimal cone breakup and distortion. Phase switch to choose between 0 and 180 degrees. The built-in all-digital amplifier delivers ample power with high efficiency. Inputs are RCA connectors.

The Mackie HR824mk2 / HR824mkii is a high resolution active two-way studio monitor speaker, ideal for stereo or surround mixing. Features a 8.75" low-distortion woofer, 1" titanium dome tweeter, and elliptical passive radiator to provide a clear, lifelike sound across full frequency spectrum (35 Hz to 22 kHz at -3db). Internal amplifiers provide 250W RMS of total power.

XLR 3-pin, TRS 1/4", and RCA input connectors for compatibility with virtually any audio gear you can throw at it. Controls for LF and HF filters, along with acoustic space matching allow you to customize the monitor to your specific workspace for optimum performance.

The cast-aluminum Zero Edge Baffle keeps diffraction to a minimum for excellent imaging; the optimized waveguide provides a wide sweet spot; and the integral cabinet damping eliminates midrange artifacts. The internally braced wood cabinet is OmniMount ready, allowing it to be mounted easily on a wall or ceiling. THX pm3 approved for surround mixing.

The On Set Headsets 1-Pin Earpiece (black color) is a professional listen-only IFB field monitor designed for maximum discretion in broadcast and film productions. Virtually invisible on camera and ideal for on-air talent, presenters, and performers who need to receive clear audio cues without distracting the audience. Delivers crystal-clear audio via a high-efficiency miniature driver. Modular design allows for easy cleaning, making it a hygienic and long-lasting. The durable 5 ft cable terminates in a standard 3.5mm mini-jack, ensuring compatibility with a wide array of IFB receivers and monitoring packs.

The Proficient Protege FS8 8" floor standing subwoofer packs a powerful punch while being small and light enough to conceal and hide in designer situations. The 8" composite driver with an extra-wide surround to increase the cone excursion, which dramatically increases deep bass power. 200-watt Class D amp, and added an 8-inch passive radiator to reinforce the deepest bass notes. The result is a minisub with serious slam—and a fast, musical sound that’ll thrill both audiophiles and action-movie fans alike. 200 Watts RMS Power Rating / 400 watts peak. Frequency response 32Hz – 150Hz. Adjustable phase and crossover. Inputs are RCA stereo line level (also has RCA outputs). This is an excellent value for the money, with high-end features.

The Sennheiser EW 100 ENG G3 wireless microphone combo system includes the EK 100 G3 receiver, SK 100 G3 transmitter, ME 2 lavalier mic. Operates on UHF frequency (1,680 tunable frequencies, 21 frequency banks, 12 frequency presets per bank). Durable metal enclosures and LED display for easy configuration. The EK100 receiver has a 1/8" unbalanced TRS mini output and the SK100 transmitter has a 1/8" locking-mini input for lav mics. The ME2 is an omnidirectional sub-miniature clip-on microphone with a sensitivity and frequency response suitable for capturing speech and vocal subjects in the most demanding environments. All are powered by AA batteries. Also features auto frequency scan, 3-level squelch to block interference, and compander for clearer sound.