Cameras, Lenses, Cinema / Production

Camcorders / Lenses Accessories Production Photo Gear
 
ALL ITEMS SOLD INCLUDE A
30 DAY WARRANTY!
 
 

 

Camcorders / Cameras

Canon
C300 Mark II PL 4K cinema camera
More Info

S/N: 062452800004
Used. Cosmetic 9/10

(In Stock)
Price: $6,249

The Canon C300 Mark II is a Super 35mm EOS cinema camera. This is the version designed for PL mount lens, not Canon EF. Records up to 4K DCI (as well sa UHD and Full HD) resolution onto CFast 2.0 cards. 4K is up to 30fps at 10-bit 4:2:2. 2K/HD 10/12-bit 4:4:4 up to 60fps. Cropped 2K/HD mode up to 120fps. Canon Log 3 gamma supports up to 14 stops dynamic range with excellent tonal reproduction in the highlight and lowlight regions. XF-XAVC codec (H.264 format in MXF wrapper) at up to 410Mbps for utmost image quality. This can also output 4K RAW externally. Connections include 2x 3G-SDI outputs, timecode I/O, genlock, HDMI, XLR, XLR audio with phantom power, and more. The modular design allows you to strip down completely or built up with handle, LCD unit, and grip. A well thought out ergonomic and useful design with many buttons and dials to make operation quick and easy. This has a viewfinder as well as LCD depending on your shooting style. A built-in ND wheel add great convenience. A dust-proof, splash-proof, and silent cooling system allow usage in any environment. Full manual control, focusing aids, zebra, and scopes allow consistent and accurate shooting.

This is the PL mount lens version, not the Canon EF mount version. Includes all the factory accessories: LCD monitor unit, handle, handle bracket, battery, charger, AC power adapter, strap, eye cup, measure hooks, body caps, and LCD cables. This even has the original box! Extremely low hours of use at only 28 hours. So this is nearly un-used. Excellent working order as one would expect from a very low usage C300 Mark II camcorder.







Panasonic
AJ-HPX3100G P2 HD camcorder
More Info

S/N: E1TAA0648
Used. Cosmetic 8/10

(In Stock)
Price: $4,725
The Panasonic AJ-HPX3100 P2 HD camcorder is a 2/3" 1920x1080 10-bit 4:2:2 master quality ENG style shoulder camcorder. Newly designed smaller/lighter and less power consumption than the AJ-HPX3000 / AJ-HPX3700. Records in AVC Intra and DVCPROHD. Worldwide framerate capability of 24P, 25P, 30P, 50i, and 60i. High sensitivity and excellent s/n ratio. Power is via Anton Bauer goldmount battery plate or any quality 4-pin XLR power supply. It can also use v-mount / v-lock batteries by installing a simple goldmount to v-mount adapter plate. Features include: advanced gamma settings, film-like shutter controls, HD-SDI output, wireless metadata input, chromatic aberration compensation (CAC), three level dynamic range stretch (DRS), advanced 14-bit digital signal processing (DSP), digital zoom/super gain, one clip REC function, 2 disc/4 position ND/CC optical filter wheel, 3.5" color LCD monitor, and full customization of image you'd expect in a high end broadcast camcorder.

This includes the Panasonic AJ-HVF21G 2" black & white viewfinder. Provides ample resolution for easy focusing. Useful functions for focus peaking, contrast, brightness, zebra, and front/rear tally. Includes microphone holder and eyecup.

This comes with the AJ-HVF21G viewfinder. Microphone, batteries, and power supply not included - as is typical with broadcast camcorders. This has some cosmetic wear and paint touchups sporadically but overall gives a clean and well taken care of appearance. The flip-out LCD has some hairline scratches, which are not visible unless looking closely while it's off and not noticed when in use. The LCD is for basic composition and menu operation anyway, not for the most critical viewing like the viewfinder and HD-SDI output. This has already been upgraded to the latest firwmare. Hours of use: operation 301x10, power on 6343. While this may seem a little high at a glance, this is a solid state camcorder and extremely well made and taken care of, so this is just moderate usage in the scheme of a high end ENG camcorder. This is tested in excellent working order, good sensor, with all functions/features operating correctly.






Red Digital Cinema
Red One MX 4K cinema camera
More Info

S/N: 1742
Used. Cosmetic 8/10

(In Stock)
Price: $2,149

The Red One MX Mysterium-X 4K digital cinema video camera redefines digital cinematography. Utilizing a S35mm image plane, it displays a natural depth of field from 2K to 4.5K resolutions. Capture from 1-120fps onto high speed Red CF or SSD media, depending on side module installed. 1-30fps at 4.5K and 4K. 1-60fps at 3K. 1-120fps at 2K. PL mount standard, interchangeable lens mounts such as Nikon or Canon available on the market for more versatility. Redcode raw files allow flexibility for editors, colorists, and VFX artists - making it easy to composite, grade, and finish via Redcine-x pro. 3D friendly, 13 stops of dynamic range, and a market flooded with accessories (both made by Red and third party) to acheive the perfect package and features for your application. Inputs/outputs include: headphone, 2x HD-SDI, preview (720P), genlock, USB, HDMI, XLR audio, timecode, viewfinder, monitor, aux 232, drive, power, more.

This has the better Mysterium-X (MX) sensor, not the original. It has the CF (CompactFlash) module installed which using Red CF cards. Includes most accessories to get you started right away - Red Pro 7" LCD monitor (more rare and useful than the 5"), 2x Top Mounts for 19mm rods with accessory mounting points, Top Handle, articulating mounting arm to hold the 7" monitor, connection cable for monitor, Element Technica breakout box (provides full size SDI connectors for HD-SDI and Genlock), 6x Red 16GB cards, and a adapter cable that goes from Red power connector to 4-pin XLR (so this can be powered from any good quality power supply with a 4-pin XLR connection). So really to get shooting right away, you just need to add a PL mount lens plus a 4-pin XLR power supply or compatible battery plate with battery.

Has 2175 hours on the meter, which is reasonable usage for this very durable solid state camera. The lates firmware is installed. Cosmetically clean overall, with just some reasonable paint wear in a few areas. The rear LCD (on camera not the LCD monitor) has a blotch on it, which doesn't impair viewing much. Most of the CF cards are missing labels, but still work great. There is one functional problem in that the EVF/viewfinder port is finicky. The LCD port works normally and stable, but bear in mind that this camera might not be ideal if you want to add a viewfinder to it as well. Otherwise, all connections, features, lens communication, sensor, video and audio functionality, etc are fully tested in excellent working order and it is a very good example of a Red One MX.





Red Digital Cinema
Red One MX 4K cinema camera
More Info

S/N: 1743
Used. Cosmetic 8/10

(In Stock)
Price: $2,749

The Red One MX Mysterium-X 4K digital cinema video camera redefines digital cinematography. Utilizing a S35mm image plane, it displays a natural depth of field from 2K to 4.5K resolutions. Capture from 1-120fps onto high speed Red CF or SSD media, depending on side module installed. 1-30fps at 4.5K and 4K. 1-60fps at 3K. 1-120fps at 2K. PL mount standard, interchangeable lens mounts such as Nikon or Canon available on the market for more versatility. Redcode raw files allow flexibility for editors, colorists, and VFX artists - making it easy to composite, grade, and finish via Redcine-x pro. 3D friendly, 13 stops of dynamic range, and a market flooded with accessories (both made by Red and third party) to acheive the perfect package and features for your application. Inputs/outputs include: headphone, 2x HD-SDI, preview (720P), genlock, USB, HDMI, XLR audio, timecode, viewfinder, monitor, aux 232, drive, power, more.

This has the better Mysterium-X (MX) sensor, not the original. It has the CF (CompactFlash) module installed which using Red CF cards. Includes several valuable accessories to help get you started right away - Red EVF viewfinder, Element Technica EVF mount (for high quality adjustable mounting of viewfinder), viewfinder connection cable, 2x Top Mounts for 19mm rods, top cheese plate for many accessory mounting possibilities, Top Handle, Element Technica breakout box (provides full size SDI connectors for HD-SDI and Genlock), 6x Red 16GB cards, and a power supply. So really to get shooting right away, you just need to add a PL mount lens or compatible battery system (if you don't want to be attached to wall power via power supply). Also comes with a valuable Element Technica Arri-style bottom bridge plate with sliding dovetail for sturdy tripod mounting, balance adjustment, and use of rods.

Has 2592 hours on the meter, which is reasonable usage for this very durable solid state camera. The lates firmware is installed. Cosmetically clean overall, with just some reasonable paint wear in a few areas. The PL mount has a different bezel on the front than typical appearance, but works just as well. All connections, features, video and audio functions, lens communication, sensor, etc are all fully tested in excellent working order. This is an excellent example of a Red One MX.






Red Digital Cinema
Scarlet-X 4K cinema camera
More Info

S/N: 2405
Used. Cosmetic 8/10

(In Stock)
Price: $3,949
The Red Scarlet Mysterium-X is a digital cinema camera capable of 4K (up to 30fps) or 5K (up to 12 frames). 3K allows 48fps, 2K 60fps, and 1K 120fps. Redcode RAW files give you the ultimate freedom and control when finished. Capable for professional use for cinematography or still photography. Highly flexible and customizable so you can have just what you need for your production and nothing you don't. HDRx technology yields up to 18 stops of dynamic range (more than other 35mm and DSLR alternatives). Dynamic range is rated at 13.5+ stops without HDRx engaged. And of course features all the professional connections and features one would expect from a high end cinema camera. Control is acheived via Red Side Handle, Redmote, and/or Red Pro Touch LCD monitor.

Includes SSD 1.8" Redmag side module, Canon S35 EF lens mount, AC power supply, and DSMC side handle (providing grip, Redvolt usage, and camera control). No additional accessories included beyond what is pictured (Touch LCD is shown only to show hour reading and is not included). Only 368 hours of use. Firmware is updated to current version 6.3.106. Good cosmetic condition with only minor paint wear. The internal battery that holds the current date/time code has been replaced. This is dead on most of these sold and often not mentioned. The battery is located deep inside and is not easily replaced, so this is a good value to have this already done. Fully tested with various accessories to ensure it is in good working condition.




Sony
HVR-A1U HDV camcorder
More Info

S/N: 117604
Used. Cosmetic 8/10

(In Stock)
Price: $275
The HVR-A1U fits many professional features in an small "handycam" form factor. 1080i switchable between 60i and cineframe 30P / 24P with 2:3 pulldown. This is NTSC, not PAL. Features include: C-MOS imager, HD to SD downconversion, cinematone gamma and cineframe functions, switchable hdv/dvcam/dv recording (onto mini DV tape), high quality 10x Carl Zeiss lens, lens hood with integrated cap, stabilization system, manual focus ring, 2.7" 16:9 LCD screen with touch screen menus, viewfinder at rear, built-in mic, color bars, nightshot (green low light capability), XLR inputs with phantom power, i.LINK (IEEE 1394), expanded focus, 3 mega pixel still images onto memory stick, and much more. Output connections for monitoring or live output include: HDV/DV firewire / i.link IEEE 1394, component HD / SD, composite. This doesn't have HDMI, but one can always gets a component to HDMI converter for example if they need that. Many use this as an affordable studio / live / streaming camera into a mixer, if they do not want to record onto HDV tape. It is extremely compact which makes it useful in a variety of situations where larger cameras are impossible.

This includes XLR adapter, remote, ac adapter / charger, long-life battery, component/av cables, manual (not pictured), lens hood w/ integrated cap. This does not include external mic. Good cosmetic condition with some exterior scratches from transportation, not from usage because this has low hour meter readings. The hood shows a bit of extra wear because it came from a different camera with more usage. The previous owner did etch the serial number into the bottom of the camera. Clean LCD screen. Good lens optics. Hours of use: drum 0x10, tape 0x10, threading 5x10, operation 1x10. So this has had under 10 hours of actual usage, which is quite rare indeed. All functions, features, connections, tape transport are tested in good working order.





Sony
HVR-V1U 1080P HDV camcorder
More Info

S/N: 4111428
Used. Cosmetic 7/10

(In Stock)
Price: $375
The HVR-V1U 3CMOS HDV camcorder packs a lot of big features in a small package. Captures video at 24P, 30P, and 60i - processed at 1920x1080/60p in full 4:2:2 and recorded as 1080/60i (24P recorded with 2:3 pulldown). This is NTSC only, not PAL. Records onto miniDV / HDV tape. Many professional features include: DVCAM/DV recording, 20x Carl Zeiss Vario-Sonnar T* optical zoom lens, downconversion, 3.5" LCD, rear color viewfinder, manual or automatic control of iris/shutter/focus/zoom/gain, HDMI and i.link interfaces, XLR audio, ClearVid for clear diagonal lines, integrated ND filters, picture profiles, focus peaking / zebra functions, SteadyShot, color bars, gamma settings including Cinematone Gamma, black stretch/compress, knee correction, versatile ergonomic design for handheld or tripod use, and much more. Many use this as an affordable studio / live / streaming camera into a mixer, if they do not want to record onto HDV tape.

Low hours of use: Operation 50x10, Drum 15x10, Tape 11x10, Thread 37x10. 150 drum hours is very low usage. Includes ac adapter/charger, small eyecup, av/component cables, and mic holder. This includes battery, but note it is a generic model, not genuine Sony battery (it does still work but full life not guaranteed). Cosmetically this camera has some scratches and scuffs in various places on the body. There is also some cleaning scratches on LCD, which are only lightly visible when in use. It's not perfect looking, but it is overall presentable and clean. Optics are clear and without scratches. All functions, features, connections, tape transport are tested in good working order.





Sony
PDW-700 2/3" XDCAM camcorder
More Info

S/N: 11281
Used. Cosmetic 7/10

(In Stock)
Price: $2,995

The Sony PDW-700 is a XDCAM HD422 2/3" broadcast ENG camcorder. Features Power HAD FX (three 2/3" CCD), 14-bit A/D converter, 50Mbps data rate, 1080P recording at international PAL/NTSC framerates to MXF format, HD/SD conversion and cross conversiion between 1080i / 720P, recording to single and dual layer XDCAM optical discs, ND wheel, thumbnail scene selection, 2x HD-SDI output, i.LINK, ethernet, proxy data, metadata, interval recording, 3.5" LCD, 5-pin XLR stereo front audio and 3-pin XLR rear audio inputs, picture cache recording (up to 30 seconds), slow shutter, smooth gain control, focus magnification, and more. Records in 1080/50i, 1080/59.94i (60i), 1080/25P, 1080/29.97P, 720/50P, and 750/59.94P (60P). The XDCAM HD422 discs are reliable, durable, and long lasting - ideal for archiving. All of this is in a ENG shoulder mount form factor with precise audio/video customization, and ergonomic capabilities you'd expect from a high end broadcast camera.

Includes the valuable HDVF-20A viewfinder, a high quality 2" HD viewfinder. Has extra resolution to provide ample detail for discerning focus over cheaper viewfinders. Features contorls for zebra, tally, display/aspect, focus peaking, contrast and brightness. Also will ship in a hard shipping case (from a different model camcorder but fits well).

This does show quite a bit of cosmetic paint wear and areas of paint touchups, but looks presentable as a whole - so is a professionally field used camcorder but not abused. The LCD has several scratches in the protective window, which don't much show up when in use (plus the LCD on this is not for critical viewing anyway like the viewfinder or output). The hinged door over the audio controls has been removed for convenience. There is a lot of cosmetic wear in the rubber around the speaker. The label for filter wheel is missing, but this of course does not affect use of filters. This has been upgraded to the latest great version 3.2 firmware with all the feature improvements, better pixel correction, and bug fixes that entails. The composite input option is installed, no other options are included. Hours: Operation 4158, Laser 27, spindle 1951, loading 16400. The most important reading is laser hours. These are rated at 6,000+ laser hours, so 27 laser hours means this has a ton of life left. Good optical block. All functions/features tested in good working order. Additional units are available.








 

 

Lenses

Arri / Zeiss
LDS Ultra Prime 14mm T1.9 lens
More Info

S/N: 1052
Used. Cosmetic 8.5/10

(In Stock)
Price: $7,249
The Arri LDS Ultra Prime 14mm T1.9 (K2.52123.0) lens is a PL mount wide angle lens that covers super 35mm format. Creates a sharp image consistent with other Arri lenses such as standard Ultra and Master Primes in color, clarity, and skin tones. Image quality retained across the frame. Features T* XP coating for reduced glare / reflections, Carl Zeiss Distagon optics, close focus of 8.7", fast aperture of T1.9 for shallow depth of field, internal focus design for precise focusing and minimal breathing, minimal aberration, focus marks on both sides of the barrel, industry standard 0.8 mod focus/iris gears, 104mm front barrel diameter, clickless iris ring, and markings in feet. The LDS line specifically features fully floating lens elements that improve performance in close-ups. Also have built-in encoders to communicate with camera via the PL-LDS mount (which is a PL mount with electronic contacts) - providing metadata.

This is in very good condition with only minimal paint wear if looking very closely. Well above average cosmetics. Includes front/rear caps. The aperture ring turns smoothly and accurately. The focus ring, however, is noticeably stiffer and slower moving than most examples. However, it is consistent and accurate - it could be ideal for somebody that values precision moreso than quick movement. But bear in mind, it would require service to focus with a similar feel to other examples. Clean glass, no optical problems. Tested in excellent working order.



Arri / Zeiss
LDS Ultra Prime 40mm T1.9 lens
More Info

S/N: 1025
Used. Cosmetic 8.5/10

(In Stock)
Price: $9,449
The Arri LDS Ultra Prime 40mm T1.9 (K2.52129.0) lens is a PL mount lens that covers super 35mm format. Creates a sharp image consistent with other Arri lenses such as standard Ultra and Master Primes in color, clarity, and skin tones. Image quality retained across the frame. Features T* XP coating for reduced glare / reflections, Carl Zeiss Distagon optics, close focus of 15", fast aperture of T1.9 for shallow depth of field, internal focus design for precise focusing and minimal breathing, minimal aberration, focus marks on both sides of the barrel, industry standard 0.8 mod focus/iris gears, 104mm front barrel diameter, clickless iris ring, and markings in feet. The LDS line specifically features fully floating lens elements that improve performance in close-ups. Also have built-in encoders to communicate with camera via the PL-LDS mount (which is a PL mount with electronic contacts) - providing metadata.

This is in very good condition with only minimal paint wear if looking very closely. Well above average cosmetics. Includes front/rear caps. Rings turn smoothly, consistently, and accurately. Clean glass, no optical problems. Tested in excellent working order.



Arri / Zeiss
LDS Ultra Prime 100mm T1.9 lens
More Info

S/N: 1048
Used. Cosmetic 8.5/10

(In Stock)
Price: $8,625
The Arri LDS Ultra Prime 100mm T1.9 (K2.52132.0) lens is a PL mount lens that covers super 35mm format. Creates a sharp image consistent with other Arri lenses such as standard Ultra and Master Primes in color, clarity, and skin tones. Image quality retained across the frame. Features T* XP coating for reduced glare / reflections, Carl Zeiss Sonnar optics, minimum focus distance of 39.4", fast aperture of T1.9 for shallow depth of field, internal focus design for precise focusing and minimal breathing, minimal aberration, focus marks on both sides of the barrel, industry standard 0.8 mod focus/iris gears, 104mm front barrel diameter, clickless iris ring, and markings in feet. The LDS line specifically features fully floating lens elements that improve performance in close-ups. Also have built-in encoders to communicate with camera via the PL-LDS mount (which is a PL mount with electronic contacts) - providing metadata.

Very good condition with only minimal paint wear if looking closely. Well above average cosmetics. Includes front/rear caps. Aperture and focus rings turn smoothly, accurately, and freely. There is a slight inconsistency in tension in the focus ring, which could cause marks to be missed with very fast movement, but overall would not be noticeable or cause problems for most users - it has a typical feel similar to most examples of this lens. Clean glass, no optical problems. Tested in excellent working order.



Arri / Zeiss
Ultra Prime 20mm T1.9 lens
More Info

S/N: 8939335
Used. Cosmetic 8/10

(In Stock)
Price: $9,695
The Arri Ultra Prime 20mm T1.9 (K2.47325.0) is a PL mount wide angle prime lens that covers super 35mm format. Compact, lightweight, and optically matched to the Master Prime series. Provides the optimal image quality, vivid colors, clarity, sharpness, and skin tones which Arri / Zeiss is famous for. Image quality retained across the frame. Features T* XP coating for reduced glare / reflections, Carl Zeiss Distagon optics, close focus of 11", fast aperture of T1.9 for shallow depth of field, minimal focus breathing and aberration, focus marks on both sides of barrel, industry standard 0.8 mod focus/iris gears, 95mm front barrel diameter, clickless iris ring, markings in feet.

This is in very good condition with only minimal paint wear on exterior one would expect. Includes front/rear caps. Rings turn smoothly and consistently. Clean glass, no optical problems. In excellent working order.


Arri / Zeiss
Ultra Prime 85mm T1.9 lens
More Info

S/N: 8940645
Used. Cosmetic 8/10

(In Stock)
Price: $9,295
The Arri Ultra Prime 85mm T1.9 (K2.47331.0) is a PL mount prime lens that covers super 35mm format. Compact, lightweight, and optically matched to the Master Prime series. Provides the optimal image quality, vivid colors, clarity, sharpness, and skin tones which Arri / Zeiss is famous for. Image quality retained across the frame. Features T* XP coating for reduced glare / reflections, Carl Zeiss Planar optics, MOD of 3' (0.9m), fast aperture of T1.9 for shallow depth of field, minimal focus breathing and aberration, focus marks on both sides of barrel, industry standard 0.8 mod focus/iris gears, 95mm front barrel diameter, clickless iris ring, markings in feet.

This is in very good condition with only minimal paint wear on exterior one would expect. Includes front/rear caps. Rings turn smoothly and consistently. Clean glass, no optical problems. In excellent working order.



Canon
XJ27x6.5B IESD-SB 6.5-180mm
More Info

S/N: 321259AD
Used. Cosmetic 7/10

(In Stock)
Price: $11,295
The Canon XJ27x6.5B IESD-SB Digisuper 27 is a HD studio box lens for 2/3" studio cameras / camcorders. Ideal for Canon, Fujinon, Ikegami, etc studio cameras that natively take a box lens or any 2/3" broadcast camcorder or even URSA broadcast that is setup with a sled / adapter to accept box lenses. Has a 27x zoom ratio and an exceptional 6.5mm wide angle, while maintaining a relatively compact size (when compared to other box lenses). This has a 6.5-180mm focal length range. But it also has a 2x extender built-in, so you can get all the way to 360mm. So this has a very versatile and useful zoom range. Maximum relative aperture of 1:1.5. Has technology to reduce ghosting, flare, and distortions. CAFS Constant Angle Focusing System reduces focus breathing. Additional features include: latest generation digital servo system, improved zoom control capabilities, compatibility with virtual studio system, anti-dust / anti-fog technology.

This includes everything you need: the FDJ-D02 focus demand, ZDJ-D01 zoom demand, 2x SMJ-E01 servo modules, and 2x cables to connect the zoom/focus servo controls. The lens itself is cosmetically above average, with very little signs of wear. The controls have a little paint/rubber wear, but overall are in good shape compared to most. This is tested on camera to be in good shape optically and mechanically; everything works normally to factory spec. Second unit is available.








Chrosziel
CLWAH-F4.5 matte box system
More Info

S/N:
Used. Cosmetic 7/10

(In Stock)
Price: $244
This is for a Chrosziel CLWAH-F4,5 mattebox system, also known as the 415-02F110 or MB 415. Designed for any Canon, Fujinon, or other brand of lenses, even wide angle lenses with focal length up to 4.5mm. Dual stage filter stages - 1 fixed and 1 rotating filter stage. This is a clip-on style mattebox for use without rods. This is a robust and professional matte box system, not a chintzy knock off.

This includes the CLWAH-F4.5 sunshade housing, 410-31 4x4/4x5.650 filter holder, 510-01 5x5/4x5.650 filter holder, 130-110mm intermediate ring, 110mm-98mm stepdown ring, 110mm-95mm stepdown ring, and foldable top french flag. So this can accomodate 130mm, 110mm, 98mm, and 95mm diameter lenses (though you can obtain other stepdown rings if your needs differ). Even includes a hard case to carry it, model Pelican 1500. Shows noticeable cosmetic wear and paint touchups, but no damage. In very good working order. Multiple units available.




Red Digital Cinema
Motion Mount Ti PL ND / global
More Info

S/N: 725102AD94B3
Used. Cosmetic 9/10

(In Stock)
Price: $1,249

The Red Motion Ti PL mount (model 725-0012) is compatible with the Epic/Scarlet Dragon and MX as well as DSMC2 cameras such as Weapon 6K, Epic-W, Scarlet-W, Dragon-X, Helium, or Gemini. This titanium lens mount pushes the limit of what's possible under any motion capture scenario. It's a finely tunable neutral density filter up to 2.4 ND - allowing you to acheive more precision than glass filters and to work faster/lighter. It acts as a global shutter that prevents partial illumination with strobes and shearing with fast subjects - reduces partial exposure and provides more constant illumination. Time filter renders sharper but smoother pans, artifact-free cyclical motion, natural motion blur, and reduced flicker with lights and electronic displays - thus bringing your image closer to human eyesight. Note that when soft or square shutter is enabled, the maximum frame rate is limited to ensure highest quality capture. Also, the ND filter minimally cuts out 1.5 stops of light at all times. This is more than a simple lens mount, it fundamentally changes the way your camera captures light and functions, especially for motion capture applications.

This includes protective rear cap, front cap, hard case, and attachment screws. Only minor cosmetic wear and tested in good working order.



Zeiss / Carl Zeiss
CP.3 XD 15mm T2.9 PL cine lens
More Info

S/N: 50077236
Used. Cosmetic 9/10

(In Stock)
Price: $4,745

The Zeiss CP.3 XD 15mm T2.9 (model 2189-367) is a compact prime full-frame sensor coverage lens in PL mount, with marking in meters. This is the newer upgrade to the CP.2 with an updated form factor to be more similar to Ultra Prime lenses, improved mechanics, better T* lens coatings, even weight distribution. Increased anti-reflection masking for increased contrast and reduced flare. Has the signature Zeiss look, to match up well with other CP.3 lenses as well as any types of high-end Zeiss cinema lens. Features Zeiss eXtended Data (XD) technology combined with Cooke's /i lens metadata protocol. All information is transmitted in real-time via the 12 o' clock position on the PL mount or the 4-pin LEMO port. This technology allows for accurate focus pulling when combined with a rangefinder or recording alongside footage and applied in post. In particular, the recording of ZEISS-specific datasets enable DITs using Pomfort or DaVinci Resolve software to analyze recorded footage to remove distortion and shading in post-production (saves time especially for productions than plan on using VFX). Has the standard 95mm front diameter to be compatible easily with matte boxes, follow focus, and lens supports. 14-blade iris for pleasing round bokeh. Clickless iris ring and geared focus and iris control round out this very impressive lens.

Includes front/rear caps. This is the version with markings in meters, not feet. Cosmetically in mint condition with extremely little wear or use, imperfections only noticed if looking carefully. Clean optics inside and out. Rings turn smoothly, accurately, and consistently. Tested in excellent working order.



 

 

Camera Accessories

Anton Bauer / Wooden Camera
QRC-CA940 battery plate system
More Info

S/N:
Used. Cosmetic 8.5/10

(In Stock)
Price: $275
This is a package designed for powering your Canon C300 (mark I) or C500 cinema camera with gold mount batteries from Anton Bauer or generic equivalent (such as Core SWX HyperCore battery). It includes the Anton Bauer QRC-CA940 battery plate, Wooden Camera Battery Slide, 15mm LW rod clamp, and 2x short rods. The QRC-CA940 battery plate powers your C300 / C500 via DC connector and has 3x P-tap outputs for powering monitor, recorder, or other accessories. The WC Battery Slide is an adjustable and tiltable mounting system for the battery plate. The multi-point adjustability makes it ideal for adjusting counterbalance and for transitioning from studio to handheld mode. It also comes with a Wooden Camera 15mm rod clamp and rods to attach this system to your support rig.

So this comes with the Anton Bauer QRC-CA940 battery plate, Wooden Camera Battery Slide, 15mm rod clamp, and 2x rods - all for less than the price of the QRC-CA940 alone. It is in good cosmetic condition with only very minor signs of wear/use and in good working order.


Arri
EVF-1 Alexa FLCOS Viewfinder
More Info

S/N: 2544
Used. Cosmetic 8/10

(In Stock)
Price: $1,575
The Arri EVF-1 electronic viewfinder (model K2.72008.0) is a state of the art F-LCOS (ferroelectric liquid crystal on silicon) display with 1280x768 resolution, high refresh rate, and ARRI optical design. Offers extremely fast display, high image quality, accurate color reproduction, low distortion, evenly illuminated viewing area, auto-calibration, ergonomic design, and quick access buttons for camera control. Displays camera or EVF menus, customizable frame lines, surround view, camera status, Lens Data System info and clip/reel numbers. Compatible with ALEXA Classic cameras, ALEXA Classic cameras with the XR Module upgrade, ALEXA XT cameras and ALEXA SXT cameras. ALEXA Classic Studio, Classic Studio with the XR Module upgrade, XT Studio and SXT cameras require the Electronic Viewfinder Adapter EVA- 1 (K2.72063.0).

Includes only what is shown, no cable or mounting bracket. Good cosmetic condition with some superficial paint wear and touchups. Brand new eyecup installed. Good working order.



Arri
MVF-1 Amira viewfinder
More Info

S/N: 3109
Used. Cosmetic 8.5/10

(In Stock)
Price: $3,249
The Arri MVF-1 for the Arri Amira (model K2.750004.0) is a multifunctional viewfinder comprised of an OLED EVF eyepiece and folding tiltable 3.2" LCD monitor / GUI. This provides two options for bright, accurate viewing. Full access to camera functions and menus are available via buttons on the LCD monitor. Simultaneous viewing is possible so camera operator could use OLED eyepiece while others on set can view the LCD. Peaking, exposure tool, and REC buttons provide quick access to critical controls, as do two user-assignable buttons. A proximity sensor automatically activates the EVF when your eye presses against the eyepiece. The eyepiece has built in diopter to adjust to your vision.

This includes a highly adjustable and positionable mounting bracket (a top 15mm rod mount oriented perpendicular to lens direction is required to attach this bracket to camera). Eyecup and cable are also included. Cosmetically in very good shape with only minor signs of wear. The LCD is scratch-free. Everything is in good working order.



Beachtek
DXA-Alexa Low Noise Preamplifier
More Info

S/N: L1609-1234
Used. Cosmetic 8/10

(In Stock)
Price: $595
The Beachtek DXA-Alexa is a low-noise preamplifier which connects directly to your Alexa Mini or other compatible camera such as Red DSMC2 model, capturing audio through it's transformer-balanced inputs and eliminates the need for external syncing. 100db dynamic range, galvanic isolation, and high common mode rejection all contribute to superior quality. Lightweight carbon fiber chassis and weather resistance ensures reliability in a variety of conditions. Powered from a 2-pin lemo connection. Features locking XLR connectors, dual mono or stereo recording, dual gain controls, high/low switches for microphone matching, switchable 48V phantom power, LED level indicators, 5-pin XLR output, unbalanced 3.5mm output for attaching an audio recorder, headphone jack, loopback monitoring, three 1/4"-20 holes, and more.

This includes a mounting bracket for attachment to camera cage, 1/8" stereo audio output cable (from 5-pin XLR output), and 2-pin lemo to d-tap power cable. This also includes original box. This shows some cosmetic paint wear and scuffs, though is overall presentable and in good shape. Good working order.




Freefly
Carbon V-lock Adapter Kit for Red
More Info

S/N: B1B-53024
Used. Cosmetic 8.5/10

(In Stock)
Price: $145
The Freefly Carbon V-lock Adapter Kit (model 910-00023) allows you to use V-mount battery on your Red Epic or Scarlet DSMC camera. Ideal for MoVI customers, though is useful for anybody that wants to power their Red with v-mount battery mounted on the side, for those desiring a low profile and lightweight method. This kit includes a IDX PV2 (P-V2) battery plate with one D-tap output for powering accessories. The plate comes with a high strand braided sheathed durable and flexible lemo plug emerging from the side to power your Red DSMC Epic or Scarlet camera.

Includes the Carbon plate, P-V2 battery adapter, screws, and spacers (for use with Scarlet). Clean cosmetic with some minor paint wear. Tested in good working order.


Red Digital Cinema
CF card 16GB compact flash - pair
More Info

S/N:
Used. Cosmetic 8/10

(In Stock)
Price: $65

This is for 2x (pair) of 16GB Red CF compact flash card used in the Red One CF module on the Red One / Red One MX digital cinema camera. This is a very fast memory card, designed to work reliably with your Red One camera with the CF module installed. This is for one pair of 16GB cards (32GB total storage per set).

These both include case. Some minor label wear, but overall clean and presentable. Tested in good working order on a Red One MX. Multiple quantity is available, so let us know how many you need!


Red Digital Cinema
Cradle v-mount for 19mm rail
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $225
The Red Cradle is an accessory that allows you to mount a Red Drive or Red RAM simultaneously along with a Red Brick v-mount type battery (or a third party v-mount battery). This is compatible with Red One / Red One MX camera, but can also function as a battery plate for Red Scarlet or Epic MX / Dragon if you acquire a 2B-to-1B power adaptor cable. Features a d-tap connection for auxiliary accessories.

This includes a 19mm rod mount for attachment to rails/rods. This is in good cosmetic shape overall with mild paint wear, overall clean looking. Tested in excellent working condition on a Red One MX.


Red Digital Cinema
Drive Cable for Red One - 18"
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $35

The Red 18" Drive Cable (model 790-0050) allows you to connect your Red Drive (320GB / 640GB) or Red-Ram 128GB directly to the Red One / Red One MX 4K camera. One side is right angle and the other side is straight.

Used, in excellent cosmetic condition and working order. Second unit available.

Red Digital Cinema
DSMC2 Base I/O V-lock Expander
More Info

S/N: 7201302E9DF5
Used. Cosmetic 8/10

(In Stock)
Price: $1,525

The DSMC2 V-lock I/O Expander (model 720-0045) offers a variety of input/output connectors as well as a v-lock battery mount to power your DSMC2 brain with Red Brick or other V-mount batteries. Connections include: DC power input, HDMI, 3G-SDI, Ctrl, Sync, AUX power output, USB power output, stereo headphone, and stereo analog 3.5mm input. Also has a selector switch that enables camera to boot when power is provided via DC-IN connector (useful if camera is mounted in remote or difficult to access place).

This has only very minor paint wear, mainly on edges. But overall is clean and presentable. Good working order.


Red Digital Cinema
EVF viewfinder
More Info

S/N:
Used. Cosmetic 8/10

(In Stock)
Price: $245
The Red EVF is a electronic viewfinder, most often used with the Red One or Red One MX (mysterium-X) cinema camera. Also can be used with the Epic and Scarlet cameras as well. Interfaces with a proprietary 17-pin LEMO connector. Displays captured image along with look around, frame line overlays, status indicators, focus assist, waveform monitors, histogram, false color exposure indicator, zebra lines, luminance ramp, menu system, and playback. The diopter can be focused to the user's eye. 3 buttons and scroll wheel knob (scroll wheel may not be compatible with Red Epic / Scarlet). This requires a mounting device such as Red Arm or mounts from 3rd party companies such as Wooden Camera, Zacuto, Noga, Cavision, Element Technica, etc.

This includes the Element Technica Red branded EL-VFM-7DT 7" mini dovetail plate. This works with either the original Element Technica EVF mount or the MiniClutch. It should also work with other mounts that accept a similar dovetail. Or you can change the plate to accept any mounting device you chose. Connection cable is not included. The viewfinder has minor paint wear, mainly on sharp edges, but overall gives a clean appearance. Tested in good working order on a Red One MX camera.


Red Digital Cinema
Redmag 1.8" 128GB SSD drive
More Info

S/N: 7501024BE5F31
Used. Cosmetic 7/10

(In Stock)
Price: $195
The Redmag 128GB is a 1.8" SSD drive designed for use in the DSMC 1.8" SSD side module and the Red Station card reader. Provides a fast and reliable recording medium in a durable casing. Compatible with Scarlet-X, Epic-X, Scarlet Dragon, Epic Dragon, and Red One (w/ appropriate 1.8" side module). 128GB size.

Shows some paint and label wear, but nothing major or offensive, or anything that indicates rough usage. Previous owner did permanently stencil their name and an identification number carefully on the front. Tested in excellent working order. Multiple units are available.


Red Digital Cinema
Redmag 1.8" 240GB SSD drive
More Info

S/N: 750102B35A8F
Used. Cosmetic 8.5/10

(In Stock)
Price: $545
The Redmag 240GB (part 750-0061) is a 1.8" SSD drive designed for use in the DSMC 1.8" SSD side module and the Red Station card reader. Provides a fast and reliable recording medium in a durable casing. Compatible with Scarlet-X, Epic-X, Scarlet Dragon, and Epic Dragon (not Red One). 240GB size, this is newer release than the 256GB version (current item on Red website).

Shows minor cosmetic paint wear, but overall in above average cosmetic condition compared to most. Tested in excellent working order. Multiple units are available.


Red Digital Cinema
Redmag 1.8" 256GB SSD drive
More Info

S/N: 7501025C486D2
Used. Cosmetic 7.5/10

(In Stock)
Price: $495
The Redmag 256GB is a 1.8" SSD drive designed for use in the DSMC 1.8" SSD side module and the Red Station card reader. Provides a fast and reliable recording medium in a durable casing. Compatible with Scarlet-X, Epic-X, Scarlet Dragon, Epic Dragon, and Red One (w/ appropriate 1.8" side module). 256GB size.

Shows some noticeable paint wear and touchups, plus bubbles and rip on rear label - but overall in presentable condition with no damage. Tested in excellent working order.


Red Digital Cinema
Redmag 1.8" 256GB SSD drive
More Info

S/N: 7501024FA86C2
Used. Cosmetic 9/10

(In Stock)
Price: $525
The Redmag 256GB is a 1.8" SSD drive designed for use in the DSMC 1.8" SSD side module and the Red Station card reader. Provides a fast and reliable recording medium in a durable casing. Compatible with Scarlet-X, Epic-X, Scarlet Dragon, Epic Dragon, and Red One (w/ appropriate 1.8" side module). 256GB size.

Above average cosmetic condition compared to most on the market. Looks very lightly used, with only very minor signs of wear. Tested in excellent working order.


Red Digital Cinema
Red Ram 128GB solid state drive
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $275
The RedRam is a 128GB solid state drive system, consisting of an enclosure with 2x SSD drives. This is used with the Red One / Red One MX 4K cinema camera system. This has the same form factor as a Red Drive and uses the same drive cable and can be used with the same Red Cradle. Red Ram is more useful in applications where conditions and camera vibrations/bumps might make the Red Drive unreliable. And likely will be longer lasting before failure than standard Red Drive (just like a SSD drive in your computer is likely to last longer than a traditional mechanical drive). Functions at 120fps in 2K, 60fps 3K, 30fps 4K with RECODE 36 and 16x9 aspect. These are dark grey in color compared to black like the typical Red Drives. Has USB, firewire, FW800 connections.

Includes the drive cable and power supply. You'll need to provide your own firewire cable and you'll be good to go. Note this works best and safest when firewire wire connected before computer turned on, then power supply attached once computer is booted up. This also includes an Element Technica shock mount (ElementS ISO-Plate). This has a v-lock interface on the bottom to attach to a spare v-mount plate, IDX battery with power link technology (v-mount daisy chain type) such as the E-HL9 or the Element Technica V-dock mount. This shockmount is easily removable if not needed. Cosmetically this is in very good shape with very little signs of wear. Tested in good working condition on a Red One and over firewire. Second unit is available.


Red Digital Cinema
Timecode cable 10' 5-pin lemo
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $30

This is a genuine Red brand time code cable. 10' length and is 5-pin lemo on each end. This is originally designed for the Red One / Red One MX camera, but can also be used with items such as the Sound Devices 788T / 702T / 744T / 664 / 663, Arri Alexa, Ambient Clockit ACL 202CT, and anything else with a 5-pin lemo timecode connection.

This is used, in excellent cosmetic and working condition. Second unit available.

Sony
AXS-R5 4K / 2K Raw Recorder
More Info

S/N: 10503
Used. Cosmetic 8.5/10

(In Stock)
Price: $1,295
The Sony AXS-R5 enables 4K and 2K 16-bit RAW video recording on the PMW-F55 and PMW-F5 Cinealta camera. Also can be used with the HXR-IFR5 on the NEX-FS700 and NEX-FS7. Attaches to the rear of the camera for a sleek integrated form factor. Can simultaneously record RAW files and proxy HD on the camera's SxS card. Matching time code, start frame, stop frame, file names, and other metadata for seamless confirming in post. Unlocks high frame rates up to 240fps in 2K RAW and 60fps in 4K. RAW recording preserves the greatest latitude for color correction and post. 16 times as many RGB gradations as 12-bit RAW nad 64 times as many tones per channel as 10-bit. Uses AXSM memory cards such as the AXS-512S24 and AXS-A1TS24 / AXS-A1TS48 / AXS-A512S24 with adapter (adapter not included).

Very low usage of 92 hour on meter. Latest firmware V4.10 installed. Fully tested in good working order on a PMW-F55 and FS700, unlike some sellers who are unable to test this or even gather the hour meter reading. Clean cosmetic condition overall, with only minor wear. Multiple units are available.


Sony
HXR-IFR5 interface unit for FS700
More Info

S/N: 10102
Used. Cosmetic 8.5/10

(In Stock)
Price: $369
The Sony HXR-IFR5 interface unit connects your 4K ready NEX-FS700, NEX-FS700R, or NEX-FS7 camera (with XDCA-FS7 extension) to the AXS-R5 RAW recorder. It enables camera's 2K and 4K RAW files to take advantage of the RAW workflow of Sony PMW-F55 and F5 cinealta cameras. Receives the uncompressed bistream carrying RAW sensor data, metadata, timecode, and start/stop commands via 3G-SDI. Allows simultaneous recording (4K on AXS-R5 with HD on the FS700). Features built-in LCD status panel and large tactile control buttons.

This includes an Ikan mount that allows attachment to 15mm rod / rails. Cosmetically very good with little signs of wear except some on the Ikan mount. Tested with a FS700 and AXS-R5 combo to be in good working order.




Sony
SNCA-ZX104 camera receiver
More Info

S/N: 1000427
New. Cosmetic 10/10

(In Stock)
Price: $89
The Sony SNCA-ZX104 is a hybrid 4-channel receiver, allowing you to seamlessly integrate images from 4 different hybrid cameras - enabling their easy and cost-effective migration towards HD IP video surveillance / security systems. Offers 4x BNC camera input and 4x BNC analog video output, as well as LAN and remote RS-485 connection.

This is new in the box with all the accessories from the factory. First two pictures are stock photo. Multiple units available.


Sony
SR-256S55 256GB memory card
More Info

S/N: 1400015
Used. Cosmetic 8.5/10

(In Stock)
Price: $265
The Sony SR-256S55 SRMemory Card is a 256GB ultra high-speed reliable flash memory media for SRMaster series products. Compatible with F65 camera (with SR-R4), SR-R1000 memory storage unit, SR-R1 portable memory recorder, SR-PC5 / SR-PC4 data transfer units. Transfer speeds up to 5.5 Gbps in order to record and replay multiple streams simultaneously, high frame rate (HFR), and support data rates that can handle HD up to 4K (YPbPr422, RGB444, 1080 59.94p, 3D, 4K, and uncompressed). With 256GB capacity, can record over an hour at 1080/25P, for example. If you see the original MSRSP of these, you'll see this is an insanely deep discount!

Excellent cosmetic condition, with only a scratch on the front. Good working order.


Wooden Camera
D-tap to Alexa Mini cable
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $75

The Wooden Camera D-Tap to Alexa Mini (8-pin lemo) Braided Flex Cable (model 208700) allows you to power the Arri Alexa Mini camera from a V-mount or Gold Mount battery that has a D-tap output. Features a right-angle 8-pin Lemo type connector and a flexible design with insulated wires wrapped inside of a braided nylon sheath. It is about 36" in length.

Clean cosmetic condition and good working order.

Wooden Camera
D-tap to C200 / C300 MK2 cable
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $75

The Wooden Camera D-Tap to Canon C200, C200B, C300 mark II Braided Flex Cable (model 212100) allows you to power your C300 mark II, C200, or C200B camera camera from a V-mount or Gold Mount battery that has a D-tap output. Features a lemo type connector and a flexible design with insulated wires wrapped inside of a braided nylon sheath. It is about 24" in length custom length instead of the typical 36".

Clean cosmetic condition and good working order.

 

 

Production Equipment / Studio / Support

Chrosziel
401-FS5 LWS for Sony PXW-FS5
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $275

The Chrosziel 401-FS5 is a lightweight support for the Sony PXW-FS5, featuring a sliding extendable ergonomic shoulder pad that turns your FS5 into a balanced shoulder camera. This comes with the v-mount v-lock plate on the bottom for attaching to VCT-14 / VCT-U14 quick release plates for attachment to tripod. This also includes the 401-FS7/5-03 tripod adapter plate to mount to most tripods or the separately available Chrosziel DigiCine BridgePlate. The tripod adapter plate is also useful to acheive correct optical axis height when using 19mm studio setups. This setup also has 15mm front rod clamps at front and 2x Arri standard rosettes for adding hand grip / handles.

Handles and rods are not included, this is for the 401-FS5 only with v-lock plate, tripod adapter plate, and shoulder pad. This shows minor paint wear, mostly on bottom, but overall is in clean cosmetic condition without damage. Everything is in good working order.



Chrosziel
C-401-457KIT3 FS700 kit
More Info

S/N: E2848011
Used. Cosmetic 9.5/10

(In Stock)
Price: $325
The Chrosziel C-401-457KIT3 consists of a 401-457 LWS 15mm light weight support, 401-BP15B mounting plate, 3050-02 MultiPad straight shoulder pad, 401-83-190 15mm extension rods, 403-31 190mm bar with rosettes for handles, and a 403-30 leather handle / grip. This package is ideal if you are using the 4K RAW upgraded NEX-FS700 / NEX-FS700R with HXR-IFR5 and AXS-R5. Though it is also ideal for a third party recorder or a NEX-FS700 with battery plate at rear for large battery (such as Anton Bauer gold mount, IDX v-mount, and PagLok). The shoulder pad consists of a rod bracket which the pad slides onto, with ability to adjust pad behind or directly underneath camera to your liking. With the lower rods and shoulder pad removed, this kit can be attached to tripod or other support. The front rods are ideal for mattebox, follow focus, and more. Handles can be attached via industry standard rosettes.

Includes one leather handle, not two. It is in mint "like new" condition with almost no signs of use.




Panasonic
AJ-RC10G remote control unit
More Info

S/N: D7A1351EL
Used. Cosmetic 8/10

(In Stock)
Price: $595

The Panasonic AJ-RC10 is an advanced remote control unit "paint box" for studio use. Compatible with AJ-HPX3700, AJ-HPX2700, AJ-HPX3000, AJ-HPX2000, AG-HPX500, AG-HPX600, AJ-HDX900, AJ-HPX3100, AG-HPX370, AG-HPX300, etc. This powerful remote is an upgrade to the AG-EC4 / AG-EC4G. With its "one button per function" capability, the unit lets you see exactly which menus you're using. Includes a SD slot for scene files and monitor out for viewing. Dedicated switches for camera's frequently used functions. Camcorder can be controlled directly through the VTR operation switch in recorder mode. Time code can be displayed on the LCD panel. Control functions include: gain up/down, output camera/bar selection (auto knee), white balance A/B/preset, AWB/ABB, shutter SS/Fix/off/speed, iris auto/manual and adjustment, master pedestal, painting, camera menu, recorder operation (rec/play/ff/rew/rec check), scene files.

RCU cable not included. Shows some cosmetic scuffs, paint wear, and touchups but overall looks presentable. The protective flap over record button is missing and also the bezel around SW Active button - this is of course entirely cosmetic and not functional. Good working order.



 

 

Still Photography

Canon
50mm f/1.0L EF lens
More Info

S/N: 12459
Used. Cosmetic 7.5/10

(In Stock)
Price: sold

The Canon EF 50mm F1.0 L USM lens is an exceedingly rare super lens. It is the most advanced 50mm lens. Not only the fastest, but packed with technology such as two ground aspheric elements, autofocus, electronic focus, focus-by-wire, ultrasonic focus motor, and electronically actuated diaphragm. Ultra low light ability (1/2 to 2/3 stops faster than f/1.2 lenses). If you want to shoot in available light at high enough shutter speed to stop action in very low light, you need this lens. Provides a unique bokeh and extreme subject isolation with shallow depth of field that can't be duplicated by lesser lens - background can virtually disappear if needed. This is designed to be sharp and contrasty even wide open, though you need to focus perfectly for best results at f1.0 due to the extremely shallow depth of field. By design, there is strong falloff (vignetting) in corners at f1.0 especially in lower light conditions, minor at f/1.4, and no more at f/2. Useful for isolating the subject, though can easily be corrected in Photoshop if needed. This has instant manual focus override. Note the focus ring is an encoder that tells the motor what to do, so the manual focus will not operate unless lens is awake and communicating with body. This has a minimum focus distance of .6 meters (2 feet), so understand that you cannot focus on objects extremely close to the lens. It may have been made a long time ago, but has abilities that no other lens today can really match, even with some limitations as a result. This is not only a powerful lens, but a real collector's item.

Includes hood and lens caps. Cosmetically this has some paint wear and scratches on body and brassing on mount - but overall presentable and nothing that exceeds what a professionally used lens with some years on it would exhibit. No scratches or marks on front and rear glass. There is some internal dust, most noticeable underneath the rear element - which does not affect optical quality and is rather typical (it is almost impossible for internal dust to cause any issues except if unusually abundant or shooting in unusual conditions). There is one anomaly in manual focus, when one moves ring past infinity limit quickly it can make a squealing/squeaking noise, presumably from the motor, though this is not consistent. One really wouldn't do this under normal circumstances, but just wanted to point everything out. Overall this functions extremely well in terms of sharpness, optical quality, autofocus, manual focus, aperture function, etc.